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Monday, February 17, 2014

The Dark Side of the Earth...

February 17th – What makes an album special? Is it just that the time is right, the musical climate is such that the tunes and lyrics tap into the national psyche? If so, can we dissect the success of ‘Dark Side of the Moon’ (DSotM) and work out just what makes it so special...and does anyone GAF? Well, while we're together it’s got to be worth a punt, huh? 
Starting point: - In 1972, on this day, Pink Floyd performed a piece called ‘Eclipse’ at the Rainbow Theatre and, one year later it became one of the tracks on DSotM. So let’s dissect: the 70’s. 
Political climate was tense to say the least. Strikes, three-day week, blackouts and fights with the unions who flexed their muscles and were instrumental in forcing the Conservative Party leader (Edward Heath) out of office along with his cronies…and something they never forgot (Thatcher exacted payback in the 1980’s; the Conservative Party – aka  The Ruling Class’ – have long memories and bear even longer grudges) …decimalisation and a fucked-up currency, employment shaky at best, and Harold Wilson in charge; the man who was paranoia personified and began the circumvention of the press and BBC to bend them his way and on his terms (something that Blair and Campbell continued – no political allegiances here) and blatantly saw to it that friends were rewarded for services rendered.
Space exploration was stretching out to Mars and beyond, leaving the care of the Earth as secondary to this excitement and emphasising the profit to be made from our planet (‘Silent Spring’ – see January 9th – had not long made its impact). A level of hope in a fairer, co-operative future, the central tenet of hippiedom, was slowly being crushed under the weight of the cold war, Vietnam, the rise of Islam, international coups, the Munich Massacre and famines. In direct opposition to the hippie culture of the 60’s, Mr. Wilson’s ‘white heat of technology’ was seen as the only way to solve our problems and mass manufacturing and science was held up as our salvation.
The feeling began to percolate that what the ruling classes wanted was for us all to work ‘til we dropped for our (their) benefit. The ruling class’ level of madness was recognised for the madness it was but, as the 70's rolled into the 80's what was also realised was the dwindling possibility of the population being able to do anything to alter it. Death and desecration awaited us all as our reward for capitulation to the capitalist agenda…and you thought it was all about peace, love and bongs....shame on you!

As the DSotM track listing shows, the reason why it was and continues to be so popular is because it saw into the future; we explored this premise on its release, playing the tracks and deciphering the runes in clouds of doubt and disbelief…but we recognise the truth of Pink Floyd’s inscriptions now.

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