July 19th – Joni Mitchell, John Mayall, Klaus
Voorman, Ron Wood; all names we’re familiar with…right? Musicians, right?
‘Cos all this talk about a classless society where people get
along on merit…’s’all smoke and mirrors. Like The Big Society that Pillow-Cheeks Cameron was banging on about
since he grabbed power, it’s just another way of getting things to stay just as
they are; that wonderful phrase talk is
cheap comes to mind. With the government cutbacks…(which don’t stretch as
far as effecting the MP’s £60+ thousand a year job or their subsidised
breakfast in the HofP ‘cos, let’s face it, when all you earn is £60+K…from just
one of your six jobs…well, you need a little help to buy brekkers, don’t you?)…with
the government cutbacks affecting local government expenditure, The Big Society is a tailor-made
replacement. This drop in services is because of less money coming from
government (although Council Tax has remained at its high level and the services
we pay for have risen) but they can be easily replicated by the people doing it
for themselves…FOR NOTHING…! Aka: The Big
Society! Win-Win! Treble breakfasts all round! But enough of this; on to
non-breakfast related things:
When did this you can
do anything if you try myth that’s peddled by recent governments and
parents of pushy kids really take hold? At the end of the 19th and early
part of the 20th centuries people knew their place, beautifully
illustrated in that TWTWTS sketch
with John Cleese and Ronnies’ Corbett and Barker, and because of that there was
level of satisfaction in ones place in the community and ones lot. There was
really no need to pine away about your position in society because there was no
escaping it. The local coal baron wasn’t going to suddenly disassociate himself
from his eldest son and leave his millions to the bloke that hews coal in shaft
three was he? No, he wasn’t, so just best get on with the life you had and make
the best of it, then someone mumbled something about no one should come second…and then Katie Price happened along… I
know, I know, I’m playing fast and loose with history, I know. Trouble is, if I
don’t cut to the chase you’ll all be reading this historical landslide in your
dotage…and it aint that interesting, honest…so humour me… then Katie Price
happened along.
What do you think it was, what was the mind track that led
her to believe that her next venture should be literature? I mean, she had a
burgeoning career as a glamour model and I believe her public appearances and
endorsements were raking in a tidy sum; you know, stuff she actually knew
something about; perfume, clothes, shoes, make-up and such, so there really was
no need to venture into the minefield of writing an autobiography…or was it
just the money? There are fewer worse things to get, as a writer, than a
damning critique. That people may not like what you have written is one thing,
that’s a given, it’s when someone reads your work then trashes it, kills it
softly with a song then displays its entrails in every daily rag that will
print it; it’s then the knife severs your vitals…if you cared about your work in
the first place that is. I suspect that Ms. Price couldn’t give a stuff about
whether some bloke in the Guardian
liked it or not because, in honesty, if they did then any writer worth their
salt wouldn’t show their face (or any other part of their anatomy for that
matter) in public again. When someone writes that your work is;
‘…of hallucinatory and
compelling awfulness’
and that it is;
‘…utter, total tosh’ (and those are the kind things that were written about Ms.
Price’s efforts) then you can pretty much write off that years’ Booker…
The sad tragedy is that, in a world where publishing has a
finite budget, the production of this work, whose;
‘…tackiness is
intense…’
has taken away from other, aspiring writers who really do
have a story to tell, something to add to the sum of our knowledge.
Joni Mitchell, John Mayall, Klaus Voorman, Ron Wood, all of
them had works of art exhibited at the Gorpal Gallery in California on this day in 1980… I’m really
hopeful that, unlike Ms. Price, they got their opportunity to display their
work on merit alone; yeah, right, just like all other aspiring artists without
contacts and fame who have to operate on the level playing field that is this
classless society of England .
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