June 2nd – There are days that don’t get any
better; they are perfect in every way…or so you think.
So, S Club 7…whaddya reckon? High-five from me if you think
they’re a merchandising opportunity peddled by a cynical marketing group whose
only nod to talent and honesty is seen at the bank. A brand-band, they were and
are still a vision of what the pop industry can become if we let it. They were
created, after a 10,000 strong audition
cycle…10,000! Jesus! And they still they managed to scrape together a heap of
shit…they were created after a 10,000 strong audition cycle by Simon Fuller the
perfect Frankenstein pop-freak. And while we’re on the subject; Simon. What is
it with Simon’s that cause the integrity of music to be fucked over? Simon
Fuller – Simon Cowell – Simon King…oh…OK, maybe not that last one…oh,
or…maybe…now I'm not sure. Whatever, the name has a lot to answer for and Mr. Fuller
more than most. Not only did he create this clot of plastic people who were
just a modernisation of The Monkees but he also created the opportunity for High School Musical and Glee to be written on the back of this
group’s success; if that doesn't damn you to hell then I’d like to know what
does.
Bands, or at least bands with
integrity and talent, are usually formed by friends at school or friends at uni
or friends that you happen to meet and realise you have a similar taste in
music. You get together, rehearse, do the circuit, cut your chops and tighten
the act in the hundreds of pubs and clubs you play where the high quality of
your music is only matched by the high level of indifference of your audience.
But this is where the bonds are formed, where the reputation is garnered,
polished and streamlined, like an off-off West End play before the transfer to London . This is what
gives your band truth, honesty and identity, and we hear these stories of bands
made good after years of work and we appreciate their input and the story they
have to tell…then along come bands like S Club 7 and the whole belief is laid
to waste as, like the beginnings of Punk, we are taught that the last thing
required for a band to succeed is talent and hard work; all it takes is money.
The members of S Club 7 cemented
their group dynamic after the last member was chosen (note to reader: No
glasses, no buck teeth, no acne, no overweight – not even slightly – the
perfect mix so as to cover all the bases and with an eye on the U.S market. The
marshmallow check-list scans like a bland band brand.
Girl-power reflection? Four
girls - tick
Minority grouping to reflect the
overload in the rock business of being an
all-male club? Three boys - tick
Cosmopolitan equality? One black
guy - tick
South/North reflection? Three
blonde hair, three dark hair, one mid coloured (ideal for those shampoo ads) –
tick
In touch with the ‘now’ culture and
ready to transfer to the U.S. ?
All in sneakers, black guy with headband and vest (stereotypical sporty-basketball-USA) – tick
The members of S Club 7 cemented
their group dynamic by being flown to All in sneakers, black guy with headband and vest (stereotypical sporty-basketball-USA) – tick
So, on this day in 2002, when the news was
announced that S Club 7 member Hannah Spearitt (that can’t be her real name can
it?) was quitting the group because her boyfriend, Paul Cattermole, had already
left them (that’s so wrong on so many levels, isn't it, or is this just me?) Anyway,
this announcement caused me to believe that this was the beginning of the end
for this blasphemy of a band…a perfect day in every way, which was also wrong
on so many levels. Since that day we've been richly rewarded for our folly by
endless re-releases and reunions of both them and their body of work…and I use
those last three words in their widest possible sense.
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