April 11th – I guess in many ways I’m as predictable as a
clock. The things I enjoy most in life are the same as most folk and are things
that I never tire of. Just ask the gang who work in Café’ Neros; I walk across
the road and they’re already getting the medium
latte, four sugars on the go. I did tinker with the idea of walking in
there one day and saying;
“No. What did you do that for? I want a skinny Americana
with warm milk…”
but I don’t think I could stand the
look of disappointment on their faces if I did. There are certain things that
cause the majority of us to drop into automatic pilot in much the same way.
Small babies in arms widen the eyes; boxing matches cause the watcher to dodge
the punches; genuine compliments redden the cheeks; the sight of great food
makes us salivate; muddy white dogs make us want to paint like Monet… OK, I
made that last one up, but all of us are predictable in some ways. But this
predictability also leads to deep, deep confusion when I’m faced with the
conflicting female images we’re presented with each and every day.
I’m a puzzled chap. When I watch the
film, Grease (now there’s a bold
statement) you tell me what’s wrong with the character of Sandy in the beginning of the film? I thought
she was lovely; and why does she have to dress and act like a cigarette-smoking
hooker at the end of the film in order to be taken seriously and get her man?
What was wrong with her in the first place…? Was it because Danny couldn't
afford to look uncool to the gang by going out with just an ordinary girl and,
if so, what does this say about him…and, more to the point, Kennickie? Why does
Rizzo not have to be pregnant in order for her to get her love, Kennickie, to
stay with her? Why would you want to be saddled with an arse like Kennickie in
the first place? A guy who’s willing to drop you if you become pregnant…by
him…? For me it fills out all the tick-boxes for female stereotyping that, so
I’m led to believe, women rail against.
I gather from the silence that I've
completely misread the movie… I have, haven’t I? Well, I never said I was
anything else but predictably confused, did I? Is it because I’m so conditioned
by repetitive press and ad-copy that I now fail to differentiate between lady and hooker? If so, why? It would seem my conditioning is complete. You
see, this is the same stereotype, dress like a hooker to get taken seriously
and get your man, which Cher uses in the video
Dead Ringer for Love and for me, I
get. Not that I don’t find a leather-clad Sandy
unattractive; not at all. It’s just the story thread in Grease that rankles a bit is all, whereas the video for Dead Ringer… has no a pretension to be
about anything else but carnality. Grease
confuses lust with love whereas Dead
Ringer… is all about…well, shaggin’ really…Yup, I know, I need to get out
more, right, point taken. For those of you that know me, this’ll give you some
idea of why I seem to be ‘away with the fairies’ most of the time; my head
works like this all the time.
What it was, you see, was that on
this day in 1988, Cher won her Best Actress Oscar for her role in the film, Moonstruck and I sort of compared the
two persona; Dead Ringer Girl, out for a shag and seemingly so desperate that
she’s willing forge a union with Meatloaf, and Loretta Castorini, the confused
daughter in Moonstruck who's sweet,
sensible and yet looking for a love that's only found in novels… (Cher really is excellent in the movie although, for me,
the mother – Olympia Dukakis – steals the show).
So, we have these two characters that
Cher plays and it just occurred, it’s no
wonder blokes like me are confused. I’d prefer to spend my life with Ms.
Castorini and kindly, thoughtful Sandy and yet what I’m peddled by press and TV
is Dead Ringer Girl and a slinky, leather-clad Sandy… Confused? You will be
after the next episode of…
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