January 13th – Two significant events today: Zach de la Rocha
(‘Rage Against the Machine’ (RATM) vocalist) was born on this day 1970. I
believe I've mentioned this before so stop me if I have…One of the things that
being old, into music and having children who are also thus interested (one
drummer – one guitarist – one dancer – one music critic) means I have been
regularly directed to performers and musicians that I
would never have listened to by all four of my kids and the extended family of
their partners, and I thank them for it…sometimes.
That’s how I got to see RATM when
they toured the U.K.
on the back of their first album. Took my son and friend of his plus a lady who
was and is very dear to me, and her now-ex, to Brixton Academy to see them (well,
my son was only about 15 then so you really don’t think I was going to let him
go without a chaperone, do you?) and, I have to say, it was a trip I undertook
with some trepidation. Why? Well this was in ‘92’or ‘3’ so I’d be about 40-odd,
so safely outside the R.A.T.M. core demographic one might say. This age
increment, plus the ‘social state’ of the gig area and the political leanings
of its inhabitants (and in all probability, the gig's attendants) meant that I
was…‘aware’; yup, you can safely say that I was as aware as a mongoose-facing a
really stroppy cobra. I was not to be disappointed when the gig started either;
ABSOLUTELY PACKED…JAMMED. You remember the Blues Brothers movie? That bit in
the club when they do ‘Rawhide’…? The netting across the stage? Good. Keep it
in mind.
The support band probably had the
most un-enviable task of any support band as they had to act as the fence
between the fans and their revolutionary leaders. We had hardly got forty
seconds into their first number when the bottles, containing beer dregs and
very likely piss and vomit, started flying, their drummer very narrowly being
missed by one of the many bottles that managed to get by the netting slung
across the proscenium. For them, it really was all downhill from then on… and,
truth to tell, they weren't at all that bad. Bless. They stuck it out, finished
their set and retired luckily unhurt…except for their pride…after twenty
minutes.
Back to the bar to recharge (as if
the audience needed it) and then back into the hall to witness what I can only
describe as one of the best rock shows I have ever witnessed – was one of
those, ‘mouth open, breath coming in gasps, empty chest cavity’ experiences;
absolutely top-drawer. The music, the moshing, the flying bodies, the
stage-diving, the volume, the spirit of the band and the quality of the sound
mixing was all of such an intensity and commitment that just blew me away; me
and, what does the Academy hold…? Two, three thousand? Whatever, to have a full
house screaming “a bullet in the fuckin’ head” whilst RATM blinded out the
backing track was a terrifyingly, exhilaratingly, wonderful thing to witness.
It was one of those ‘connect’ moments we've all experienced at a gig where the
collective recognition and sharing of a future of possibilities rises through
and around the assembled crowd, lifting them onto a higher level where they can
get a glimpse of a horizon usually hidden by the mountains of insecure outcome
that were the landscape of their pre-gig future. I remember thinking, ‘If this
lot ever get loose and act as one ideology then God help John Major and his Tory cronies; they’ll last
about thirty seconds.’
I came out of that gig with my head
ringing from the volume and sheer, jaw-dropping spectacle of it all…then, I
believe, on the way back the car (mine)
broke down and we didn't get home until about four in the morning…but worth
every second of it, and for that I have to thank one of my children. Ta.
The second event? In 1968, Dr. K.C.
Pollack, who ran the audio lab at Florida Uni., determined that rock and roll
concerts caused hearing damage… Very probably, Dr. Pollack but after witnessing
that RATM gig…do you wanna go out there and tell them; “Now, dears, you really
must put in these ear plugs and we’re not starting ‘til you do.”
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