Translate

Monday, January 20, 2014

"Hey, Hey its the..." Oh, sod off....

January 20th – The Monkees TV show was first broadcast on this day in 1966, an early-day heads-up that Simon Cowell-land was only just around the corner. They were launched on the back of the Beatles’ success which was accompanied with the vitriol the American commerce league felt for us Brits succeeding at anything better than them…well anyone succeeding better than the Yanks in anything really, but particularly us Brits. You only have to listen to John McEnroe commentating on any tennis match that has a Brit in it at Wimbledon or any other Grand Slam to understand that…I think it’s a residue from our burning of the capitol, banks and such back in the 18th century; typical Yanks, can’t take a joke. It was three centuries ago; get over it and move on! 
Anyway, The Monkees. 1966. They weren't the first but they certainly were the most reliable confirmation, if we needed any, that the only people who can successfully shovel shit uphill with little or no spillage are those working in the pop/modern music industry. We’d had inklings of it in the payola scandals and the Mr. Freedman accusations, but because inside information was less freely disseminated back then than today (the lying bastards kept quiet or paid off whistle-blowers…and the celebrity culture and ‘kiss-‘n’-tell’ piggy-bank we know and love today was just a fledgling) only the very few were in the know about the fiddles being perpetrated by the pop industry.
As a precursor to what we ended up with, ‘Top of the Pops’ gave a certain legitimacy to the level of stupidity contained within the masses with its miming credentials openly advertised and there for all to see; a useful pointer to the pop industry of just what the record-buying public would put up with. Bit of a double-edged sword though for it also gave a useful pointer, to those performing on this show, of the level of high esteem their fans held them in; of such things as ‘loyalty’ and ‘brand recognition’ and of just how disposable they were…’Top of the Pops’ one week, bottom of the heap the next…sorry folks, off the tracks again… sorry. Right, The Monkees. 
Well, in honesty, they started off from a poor position if they were out to win the loyalty or even passing interest of the music aficionados of Great Britain. On this sceptered isle lived a race of sturdy rock musos who could smell a fit-up at the drop of a Seeburg. Those The Monkees needed to win over, that would offer credibility to any band, had been reared on a diet of blues and rock and had given one of ignored in his own country, Hendrix, the recognition he so richly deserved; safe to say they didn't suffer fools gladly. As the band was a project put-together it was destined to fail amongst anything other than the pre-pubescent teens of Britain. 
The TV show was a massive hit (see, what do I know?) with speeded-up clips a la Benny Hill (unoriginal) – ‘zany’ humour a la the Goons (unoriginal) – mop hair cuts worn by all four (unoriginal and stupid) especially that worn by Davey Jones (the one Brit who was the original member and who gave the band a semblance of ‘credibility’ with the British public because, “’E cum frum oop’t North lad”).
 It has to be said, in all fairness, that Nesmith and Tork had a certain musical nous. Nesmith’s song-writing ability and post-Monkees film career showed a level of ability that should have protected him from membership of such a train-wreck of a band. Tork, too, built up a certain musical pedigree…post-Monkees…again (do you think someone was trying to tell them something). But I guess, even if you do have higher musical thoughts, when you’re put under the rack of the dollar and a chance to take a tilt at all that eager-to-please flesh…? Well, who amongst us wouldn't say;
“Fuck this artistic, living-in-a-garret-on-bread-and-water-whilst-I-suffer-for-my-art shit; gimme the Waldorf Astoria penthouse suite, a constant supply of girls (or guys) and enough pop ‘n’ chop to sink a small yacht.”

Well, I wouldn’t of course, but…

No comments: