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Friday, November 28, 2014

Candy Flip - How to miss the point

November 28th – Nostalgia’s OK providing we don’t think back on it too much; it’s only as we get older these memories become corrupted.
Most of the things that occur to us from childhood have a rosy tinge to them, hence the oft used (oft moaned-at statement by others);
It was better than this when I was young.
Thing is it probably wasn’t but we, as humans, have a habit of cutting out the shit times and embellishing the remainder until they have all the lustre of a roaring log fire and cup of cocoa…with three foot of snow outside and sufficient stores in the pantry and fridge to mean no need to be going anywhere for a week… For me, back then, the days seemed longer and sunnier than now but that’s probably because when I was six I didn’t give a shit about our national obsession with the weather and I had only myself, my toy cars and the dirt outside our house and bird watching to consider. What this drip-feed to the conscience does do, for writers and artists in particular, is provide a steady stream of comparison data to draw on, hence the number songs written about the time back when; such a one was The Beatles single, Strawberry Fields Forever.
Composed by John Lennon and released this day in 1966 the song’s background harkened back to a time in his childhood when he would go to a Salvation Army’s children’s home to listen to the band, a time much like mine when the woods were his playground and the days stretched out to forever. During the time it was being written and under development in late ‘66’, Mr. Lennon was, like many of his day, experimenting with drugs, particularly LSD, and my guess is his tinted recollections of that time must have become intermingled with his present-day drug experiences and the revelations they disclosed, and probably were also partially responsible for the hazy, dreamlike vocals that were used for the recording.
But even though drugs were a part of the song’s emergence they were not allowed to overshadow the work’s deeper meanings. The song’s structure, musical accompaniment and lyrics all speak of a simpler time for Mr. Lennon when fame had yet to sail rudely onto his level horizon. It also allowed him a time of introspection and us a glimpse into his childhood under the guise of just another pop song, albeit one of such haunting quality (and that verdict comes from a committed Beatles flatliner). The lyrics tell of innocence, of the guilt and confusion experienced in the growing-up stakes, themes we all wrestle with (some more than others) spend a whole lifetime trying to make sense of and keep under control. The roadsides are littered with the careers of the fallen; those who failed to keep equilibrium, to choke off the demons that will inevitably rise up to challenge their self-esteem and memory bank in those sometime dark moments of nostalgia and regret. Pity is, as with many things the subtlety and shade are wrung out it, sometimes by a misguided arse.
In 1990 a duo known as Candy Flip released a dance cover of Strawberry Fields Forever which became something of a rave classic but removed the heart from the original in two deft strokes. The band, Candy Flip, were named after the slang term used by ravers to describe those taking LSD and ecstasy at the same time (?!) thereby homing in on the drug references only vaguely alluded to in the original work and making the drug theme the dominant reason for the song’s conception. As per requirement of the dance floor use of electronic synth beats were used destroying the delicacy of the original’s musical passages of cellos and horns that were so deftly added by George Martin to emphasise the musical timeframe of the piece. I guess that’s nostalgia but…it aint what it used to be…

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